Ossídio Gaspar

How to dress well

(Andante)

Close of disclose closer to closing. Clothing.

Birthday bones wrapped in skin. I enclose a gift.

This is a repetition not because it sounds like one.

It begins by oscillation, plateaus and then it looks like itself enough to distance

To not know itself, so it can hide itself without its own knowledge

I acknowledgements

The unfolding, taking clothes off, by literally putting them on.

This is the same thing.

Disclose of the closest to non-disclosure of writing. Cloth.

The thing I put it on is the thing I put on. I put in.

I am put in.

Non-knowledge of acknowledgement.

It begins because I can give myself away.

My Self to myself and myself to My Self. I dress really well.

Life is on the surface, going in is not knowing, either.

After the plateau the promise of its opposite might revise the surface. Dying.

Either or more what I put back on – repeat my dress sense

Acknowledge of gift not wanted. I cannot give myself away.

Knowledge of giving not-wanted.

Biography of hairs growing from out of the skin.

The skin covers itself in skin. Skin is not skin.

Texture and text.

 

(Affrettando)

Knowing how to put it on without it

Is the acknowledgement

The acknowledgement of dis-closing, un-clothing

To forget, to make sense, to put it away

To look at it again, having not seen it for a while

Dead skin – the last before the skin of the skin

I dress it up, cannot give it away

Sense-making sense, wrapping, not uncovering

A discovery

Undress of the wound

Unwrap the curtailed, the curtained

Uncorpsing, dead instead

The unborn

The biographical

The self-eroding coast

Self-erasure under a sweaty cloth

Closure to being close, closer to being again

Mooring

Mourning

& morning

Repetition is the fundamental

because it does not suit the same way

because it does not suit the same thing

I am covered in it, discovered in it

This hairy uneven texture soaking in the sun

Self-involved, uncomfortable, expelling itself from itself

Spelling unanticipated

Overwriting the meantime

Accepting or not accepting the gift

Taking giving away for granted

Given to it

The unasked so the unquestioned.

 

(Ritardando)

Being absolutely famous for throwing the body away

repetition only has to be skin deep to make something by itself impossible

 

(Allegro)

I do not dress myself

An address of acknowledge

To be addressed if how can I address

Closest to going away to be far enough away

As much as living to giving and having been-given everything

In it I give to live

Endless birthday wishes

Like Birthday wishing

No greater government to give itself away

To acknowledge itself in front of the other side of not knowing

A surface covered in clothes more real than the ones I wear

Uncloseable

It opposes my gift with its own birthday wishing

Its own ossifying self-discovery

But I do not know this

It looks like me but I could not kill myself on its surface

acknowledging

It almost suicidally disbelieves in the distance of my death

But it cannot die instead of me

This is why we should always be wearing our clothes

To acknowledge the nudity of why it is done.

To make it that naked.

Of where it is done. Address of happy birthday

A forgotten day of an unforgettable time

Closing in on the dis-closure

Unskinnable. Unsunnable.

Unwearable, very worn.

Standard

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